Friday, June 26, 2020

Writing: Common Questions

It's been over a year since I answered these questions on this blog, but I guess it's time to reinforce them:

How to you get your ideas?

I used to say from “” until I found there really is such a site. The truth, as is true for most writers, is that I take the things going on around me and then wonder what happens next. Alternatively, I ask the question Al Gansky taught me: “What if…?” Then I take it from there.

Do you need an agent? How do you find one?

If you want the editor of a publishing house to offer a contract, you'll need a literary agent representing you. Often, we find someone who would be just right as our representative, usually when we meet at a writing conference. If we’re fortunate, we ask them, and they accept. In rare instances, the agent will ask us. All this has been made somewhat moot as more and more writers see the handwriting on the wall about the publishing world and decide to self-publish their work. Do you need an agent then? If you’re not established, yes. An agent will give you advice...and if you're just starting out, you'll need it.

How do you go about getting published?

If they’re offered a contract, I think a writer should carefully consider signing with a publisher. Later they might decide to branch out and become a hybrid author (one who’s work is put out both by a traditional publisher and independently) but having that publisher behind you for the first several books—especially the marketing expertise and “muscle”—is quite helpful. Of course, some people start out "indie-publishing," but that's tough, because much of the time we don't know what we don't know. Confusing? Yep.

Once you “go indie,” do you no longer have to worry about editing the manuscript?

No! No! No! One advantage of self-publication (which no longer carries the stigma it once did) may be that you don’t have to write a synopsis or please an editorial board, but it does not free you from multiple revisions, including hiring an outside editor. This may be for a macro (“big picture”) edit, line editing, and/or proof-reading. It’s important for the indie author to put forth the best possible book. And this means using a professional for editing, as well as cover design and execution.

Aren’t all authors rich?

I suppose if your name is Clancy, or Child, or Rowling, you’re probably able to put food on the table by your writing. For most of us, our royalties are welcome surprises that we receive every three to six months but aren’t nearly enough to support our families or allow us to quit our day jobs. Authors get an advance against royalties, and this has to be earned out before we get a penny of additional royalty money. Some small presses don’t even give advances, so the royalties are bigger—but not huge.  

Other questions? Ask away--and if I don't know the answer, I'll ask someone who does.


Patricia Bradley said...

Great questions, Richard. I have one for you...which do you like better--Indie or Traditional? I figure it'll be a mixed bag...

Priscilla Bettis said...

How long should I expect to work on a book per day. I feel my mind getting mushy after awhile at the keyboard, but I don't know if I'm above or below the norm when it comes to creative writing endurance.

Richard Mabry said...

Patricia--I like indie, although it's be no means a mixed blessing. I have to do (or approve) it all, but the pay's better.

Priscilla--although you'll hear lots of people say they set a word goal per day, I'm an outlier, because some days I don't work at all! What counts is the finished product, whether it takes a month or a year.