Friday, November 01, 2019

Writing: Questions For An Author

I thought that perhaps it was time to give you some of the questions and answers that go with the writing business.

How to you get your ideas?

I used to say from “ideas.com” until I found there really is such a site. The truth, as is true for most writers, is that I take the things going on around me and then wonder what happens next. Alternatively, I ask the question Al Gansky taught me: “What if…?” Then I take it from there.

Do you need an agent? How do you find one?

If you want the editor of a publishing house to offer a contract, you'll need a literary agent representing you. Often, we find someone who would be just right as our representative, usually when we meet at a writing conference. If we’re fortunate, we ask them, and they accept. In rare instances, the agent will ask us. All this has been made somewhat moot as more and more writers see the handwriting on the wall about the publishing world and decide to self-publish their work. Do you need an agent then? If you’re not established, yes. An agent will give you advice...and if you're just starting out, you'll need it.

How do you go about getting published?

If they’re offered a contract, I think a writer should carefully consider signing with a publisher. Later they might decide to branch out and become a hybrid author (one who’s work is put out both by a traditional publisher and independently) but having that publisher behind you for the first several books—especially the marketing expertise and “muscle”—is quite helpful. Of course, some people start out "indie-publishing," but that's tough, because much of the time we don't know what we don't know. Confusing? Yep.

Once you “go indie,” do you no longer have to worry about editing the manuscript?

No! No! No! One advantage of self-publication (which no longer carries the stigma it once did) may be that you don’t have to write a synopsis or please an editorial board, but it does not free you from multiple revisions, including hiring an outside editor. This may be for a macro (“big picture”) edit, line editing, and/or proof-reading. It’s important for the indie author to put forth the best possible book. And this means using a professional for editing, as well as cover design and execution.


Aren’t all authors rich?

I suppose if your name is Clancy, or Child, or Rowling, you’re probably able to put food on the table by your writing. For most of us, our royalties are welcome surprises that we receive every three to six months but aren’t nearly enough to support our families or allow us to quit our day jobs. Authors get an advance against royalties, and this has to be earned out before we get a penny of additional royalty money. Some small presses don’t even give advances, so the royalties are bigger—but not huge.  

Other questions? Let me know.

2 comments:

Priscilla Bettis said...

Good questions/answers. Here's another question: How much travel is involved?

Richard Mabry said...

Priscilla, good question. Some of my colleagues seem like they're always gone, usually teaching, although sometimes doing research. (Wish my books weren't set in Dallas or a small community in Texas that lives in my imagination). I've reached the point re travel where I agree with Nolan Ryan--anyone who thinks travel is glamorous hasn't done enough of it. So, to answer your question, "It varies."