Friday, October 17, 2014

Writing: It All Counts

Some writers think only book-length work is valid. Others are content to engage in writing meditations, short stories, contributions to collections, novellas, and other forms of writing. Before getting my first contract for a novel, I had a number of meditations and articles published, and I think the experience I gained was invaluable. I still recall the advice I got when I first started writing: It doesn't matter if it's an online post or a grocery list. Flex your writing muscles regularly.

I've been working on a book--it will be my tenth published novel when it's released in the spring of 2016--but I've also been writing what will probably be a novella, one that takes up the story and characters from a previously published book. I've found it to be easier than I thought, keeping up with two stories at once. And if I get stuck on one, I simply shift to the other for a bit. Then there's this little voice that keeps reminding me it's time for me to produce some meditations and submit them.

Writers, do you confine your writing to one type of material or try several? Readers, do you think it's important that a writer be versatile? I'd like to hear your opinion.

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Tuesday, October 14, 2014

Is Truth Stranger Than Fiction?

I recently took advantage of the reduced price and downloaded the ebook version of Catch Me If You Can, supposedly based on the exploits of con man Frank Abignale, Jr. I found the book fascinating, although it was hard to believe that a young man (he was in his teens when he began impersonating a Pan Am Airways pilot) could do all that. Of course, at the end of the book he was arrested and sent to jail, but I still had an uncomfortable feeling that his illegal and hedonistic exploits were glorified throughout the first 80% or more of the book.

Then, after reading the notes at the end of the book I searched for more and found a post by him that explained a lot about the writing of the work. According to Abignale, the writer met with him only four times, changed a number of the exploits (I guess we'd call it "literary license"), and glorified the criminal and what he'd done--because that's what it would take to sell the book (and later the rights for a movie). In other words, the truth was not only stranger than fiction, it wouldn't sell.

All this made me wonder how much truth is in some of the so-called autobiographies and memoirs by well-known individuals "as told to" or "with" another writer. There's a saying among writers that fiction must be believable, while real life often isn't. Do you think that's true?

Image from Wikipedia.

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Friday, October 10, 2014

Writing: "The Deadline Cometh"

When I meet with readers’ groups, the questions I’m asked are generally pretty predictable. “Where do you get your ideas?” “How do you name your characters?” “How do you get an agent?” “I have a nephew who thinks he wants to write a book? What’s your advice for him?”

But the question I never get asked is, “What’s the fuss about an author meeting a deadline?” And that’s pretty interesting, unless you’re the person sweating over the computer keyboard, casting an anxious eye toward the calendar, and telling the family they’ll have to order pizza for dinner because you’re going to be chained to your desk for the evening.

The time between submission of a manuscript and publication of a novel is generally about a year. There are exceptions, but a year is pretty standard in my experience. The reason is that the original manuscript undergoes several revisions before it’s ever ready to be printed (or formatted for e-publication). First, an editor at the publishing house does a macro-edit. That is, they look at the big picture. Their suggestions are generally transmitted to the author in a letter or email, and often cover several pages. I’ve been asked to change the names, sexes, or races of characters. Some of my colleagues have had to make drastic alterations in their plot lines. The macro-edit is the tiger behind the publishing door for a writer, and has caused more sleepless nights than a cup of double espresso. But let me hasten to say that, in my experience, the suggestions always make the work better.

After the macro-edit and subsequent rewrite, another editor performs the copy edit. That’s the one that takes out and puts in commas, suggests different (and hopefully better) wording, and fine-tunes the work. The author is, of course, free to ignore every suggestion, but most don’t. Again, I’ve found that it’s a good idea to pay attention to these professionals. However, they’re wrong just often enough that it’s necessary to go over their suggestions carefully, instead of accepting them all blindly.

The final stage is a review of galley proofs. These constitute the book in its final form. Any significant changes here can cause consternation at the publishing house. Although an editor will check them for errors, it’s the ultimate responsibility of the author to make sure everything is correct. One of the worst enemies of authors is autocorrect. If we misspell a word, and autocorrect tries to clean up our mistake, for reasons known only to Bill Gates and people at Microsoft our computer can decide that we meant “rate” when we tried to write “hate.”

By now you must be saying, “I thought writers did it all themselves.” Nope, although there is one famous writer in the general market whose contracts, legend has it, call for his books to be printed exactly as he submits them, with no edits. Of course, I stopped reading his work a few years back, although some of his latest ones make pretty good doorstops.

And that, gentle reader, is why writers have to meet deadlines. Sometimes the publishing house will build in a little time, and deadline is a “soft” one. But in most instances, these things are timed out pretty closely. And the author who consistently fails to meet a deadline may find himself/herself without a subsequent contract.

Do you have other questions about writing and publishing? Leave a comment, and I'll try to answer them in a future blog.

SPECIAL NOTE: I recently ran a contest for recipients of my newsletter. The randomly selected winner of her choice of a book I've written, signed by me, is Patricia Cochran. I've emailed her already. Thanks to everyone who played.
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Tuesday, October 07, 2014

As Simple As Breathing...

Do you ever think about breathing? Have you ever counted your own respiratory rate? (For the curious, it's about 12 per minute when resting, much higher after exercise). Do you ever stop to consider the wonder of the human body? You don't have to think about making your heart beat, forcing your muscles of respiration to work. We truly are "fearfully and wonderfully made."

For a very few people, breathing isn't automatic. They suffer from a disorder called "Ondine's curse," in which it is often necessary for the individual to be dependent on mechanical ventilation. True, this is a rare disorder, but its very existence brings home the lesson that there are so many things our body does that we take for granted. Matter of fact, there are many parts of our very lives that are pure blessings, but for which we may not pause to thank our Creator.

So, the next time you become aware of your own breathing (and I'll bet you're there now, after reading this), stop and take a moment to be grateful. And don't forget to breathe.

Are there things you tend to take for granted? I hope you'll share them with our readers.

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Friday, October 03, 2014

Conferences, Yea Or Nay?

I've just returned from the annual conference of the American Christian Fiction Writers. Before I had an agent and my first contract, I, like most others, attended to learn more about the craft, to meet other authors (both published and wannabe), and to interact with agents and editors and interest them in my work.

Now that I've had seven novels of medical suspense published, I still attend the conference, but for different reasons. I want to see my friends. I want to catch up on the latest news. And I want to give back by teaching some of the things I've learned.

When I was in medicine, my attendance at various meetings was based on pretty much the same reasons. Initially it was to learn more, later it was to teach, and in both cases it was to see friends and learn some of the scuttlebutt that one doesn't see printed in journals or even newsletters.

No matter what your profession or even your avocation, I'm willing to bet you are aware of one or more meetings (whether local, regional, or national) that you could attend for much the same purposes. My question is, do you? If so, why? If not, I'd like to hear about that, as well. I look forward to reading your comments.